Dusty Art

My prior Art posts can be found HERE.

How do we move away from being a civilization that produces art that causes comments like, “my five year old could make this,” back to being one that creates beauty and inspires deep questions? We must reject modernity and embrace tradition. To embrace tradition, we must first learn about it.

Let’s study art history together.

Equestrian statue of the Duke of Wellington

Artist	Matthew Cotes Wyatt
Subject	Arthur Wellesley, 1st Duke of Wellington
Dimensions	910 cm × 790 cm (30 ft × 26 ft); 22 feet 8 inches ft diameter
Weight	40 tonnes
Location	Aldershot

If you’re the Duke of Wellington, and you have just lead Britain to a victory over Napoleon at the Battle of Waterloo, then you have scaled the heights necessary to become the subject of a magnificent equestrian statue. In fact… not only do you get an equestrian statue (a monumental one), but it gets to sit atop an epic triumphal arch near Buckingham Palace. This is all done in your lifetime, so you see it an you get to feel your own legendary status until your dying day.

And you aren’t the only one being honored. Your horse, Copenhagen, is also being honored. There was just the problem of Copenhagen having already passed on before the statue was made. It was even controversial to the public that the horse used as the model for the statue did not look enough like the original war hero Copenhagen. (People used to respect and admire military horses a great deal – as well they should.)

Aside from the controversy around the horse, there was another problem with the monumental artistic arrangement. Nearly everyone thought the statue was so large that it was out of proportion to the arch upon which it was sitting. Thus the thing intended to honor the great man and his great horse was deemed an eyesore. However, it could not be removed during the life of the Duke of Wellington, lest he quite justifiably take offense. The thing intended to honor him ended up having the effect of causing some in the public to wait on his death.

Eventually he did die the statue was removed, and it was replaced by a more appropriately sized quadriga. But what then of this statue? What do you do with what was at the time, the largest equestrian statue in all of Britain? Well, you find it a venue where its size does not work against it in the realm of public opinion.

(more via wiki)

The Wellington statue in Aldershot, England is a monument to Arthur Wellesley, 1st Duke of Wellington, victor at the Battle of Waterloo and later prime minister of the United Kingdom. Sculpted by Matthew Cotes Wyatt, it was the largest equestrian statue in Britain when it was unveiled at its original location on the Wellington Arch at Hyde Park Corner in 1846.

Origins

In 1837 a committee was formed under the chairmanship of the Duke of Rutland to raise sufficient funds for a memorial to the Duke of Wellington. The sculptor was Matthew Cotes Wyatt. In the statue Wellington is shown on Copenhagen, the famous charger he had ridden at Waterloo. Much of the bronze in the statue is derived from French cannon captured at Waterloo and remelted in Wyatt’s foundry. Wellington himself sat for the sculptor; Copenhagen, however, had died and a substitute horse was used as a model. This offended many at the time, who saw a poor likeness to Copenhagen in the statue.

The position selected for the sculpture was on top of the triumphal arch at Hyde Park Corner, built in 1827–28 in conjunction with an Ionic screen as part of a processional route between the park and Buckingham Palace. Wellington had his London residence at Apsley House, immediately next to the screen.

The work was executed at Wyatt’s workshop at Dudley House in the Harrow Road, starting in May 1840. The modelling work was done by Wyatt’s son James Wyatt. The model consisted of more than three tons of plaster of Paris formed over a timber frame with a beam for the backbone and transverse timbers like the ribs of a ship. The model was on a turntable 20 feet (6.1 m) in diameter and the artists could reach all parts of it by means of an adjustable stage that could be raised and lowered. The modelling work took three years.

For casting, the model was lowered into a pit in a specially built foundry. The statue was cast in bronze melted in two furnaces; one could melt twelve tons at a time, but this was found insufficient, so a second furnace of 20 tons capacity was constructed. Even so, the body of the horse and the lower limbs of the Duke were cast in two pieces and the rest of the statue was cast in a further six pieces, all between 1 and 3 inches (25 and 76 mm) thick. The legs of the horse were cast solid so as to bear the great weight.

At the time it was the largest equestrian statue in Britain, being 30 feet (9.1 m) high, 26 feet (7.9 m) from Copenhagen’s nose to tail, and 22 feet 8 inches (6.91 m) in girth. It weighed 40 tons. In 1846 the statue was moved with great pageantry from Wyatt’s workshop to Hyde Park Corner. It was transported on a huge, low carriage with wheels 10 feet (3.0 m) in diameter, constructed by H.M. Dockyards at Woolwich. The carriage was hauled by a hundred men of the Scots Fusilier Guards; as it emerged on to the road, it was greeted by enthusiastic cheers from the crowd of sightseers. Twenty-nine horses then drew the carriage to Hyde Park Corner. It took some hours to get the statue into position for hoisting and the final lift and fixing into position on the victory arch was completed the following day.

The statue leaves Wyatt’s foundry in 1846

‘The Grand Procession of the Wellington Statue, Turning Down Park Lane’ The Illustrated London News 3 October 1846

The completed statue in 1846 showing its dimensions

The Hero of a Hundred Fights by J.M.W. Turner, 1847

The statue on Wellington Arch, c. 1850s

Move to Aldershot

Many thought the statue out of proportion to the arch: its architect, Decimus Burton, especially disliked it, and left money in his will for the statue’s removal. Queen Victoria also regarded it as an eyesore, marring the view from Buckingham Palace; however, it could not be tactfully moved during the lifetime of the Duke of Wellington, who would have seen such a move as an insult.

In 1882–83 the arch was moved a short distance, to its present location on Hyde Park Corner; the statue of Wellington was removed and left in Green Park while its future location was debated. In 1883 the Prince of Wales, the future King Edward VII, suggested that it should be moved to Aldershot Military Town, “where it will be highly regarded by the Army”. Eventually Parliament agreed with his suggestion and the statue was taken to Aldershot for reassembly. Its removal from the arch had been a relief to the many critics who had considered it out of proportion and inappropriate for such a location.

On a visit to Aldershot, the Prince of Wales selected Round Hill, close by the Royal Pavilion and Royal Garrison Church, as the new site for the statue. Moving Wyatt’s creation from London was no mean feat. However, it was successfully and ceremoniously handed to the British Army in August 1885 in front of a large crowd of onlookers.

Lowering the statue in 1883

The statue being moved to storage in 1883

Re-erection at Aldershot in 1885

The statue at Aldershot, 2014

Restoration

The statue fell into a poor condition in the latter half of the twentieth century, being largely hidden behind overgrown trees and bushes on Round Hill. In early 2004 Aldershot Garrison, supported by local conservation groups and volunteers, commenced a major restoration project to restore it to its original condition. The bushes were cleared and the statue was re-bronzed.

The Friends of the Aldershot Military Museum have taken on the role of “Friends of the Statue”, supported by Aldershot Garrison, Rushmoor Council and the Blackwater Valley Countryside Partnership.

As of November 2022, a visit to the statue is rated by Tripadvisor as 19th-best thing to do in Aldershot.